17 октября 2019 Просмотров: 987 Добавил: LeLis

Новый фотосет и интервью: Роберт Паттинсон для The New York Times


Роберт Паттинсон, 33. 


Фото в нашей ГАЛЕРЕЕ


When Robert Pattinson signed on to play the antagonistic Dauphin of France in Netflix’s medieval epic “The King,” he knew it was a juicy role that would give him the pleasure of taunting Timothée Chalamet. Still, Pattinson hadn’t quite figured out his character until he saw hair-and-makeup photos of his co-star Lily-Rose Depp, who was cast as a royal ingénue.

“I was like, ‘I want to play a princess, too,’” Pattinson said.
The hairdresser capitulated by giving him long, honeyed locks, but Pattinson had one more surprise in store: On set, he unfurled a French accent so deliciously over the top that his scenes became charged with a camp jolt. At first, “I couldn’t quite tell, is this ridiculous?” Pattinson recalled. But after the first take, he found another co-star, Joel Edgerton, doubled over in laughter. “And then I thought, ‘I love this! This is the best.’”

Is it fair to say you’re drawn to eccentric characters?
I’ve always thought that the only reason you’d want to play a good guy all the time is because you’re desperately ashamed of what you’re doing in real life, whereas if you’re a pretty normal person, the most fun part of doing movies is that you can explore the more grotesque or naughty sides of your psyche in a somewhat safe environment. And it’s always more fun if you’re shocking the people in the room. If you end up being boring, that’s the lowest of the low.

Do you think you’ve been boring before?
All the time. You can bore yourself! On “The Lighthouse,” I’d do two out of 17 takes that work, and on the other ones, I’d roll the dice in a different direction that leads me nowhere. But it’s more fun doing that than making a plan and sticking to it.

You’re currently working on Christopher Nolan’s next film and you’ll begin shooting “Batman” soon. How does it feel to have traded art-house movies for big studio blockbusters?
I mean, “Dunkirk” is almost an art-house movie! Chris Nolan is literally the one director who can make an art-house movie for hundreds of millions of dollars, so it doesn’t really feel like a studio thing. With “Batman,” if I’d done it a few years ago, I would have been incredibly nervous, but I’ve still got a few months before we start shooting. Plenty of time to have a panic attack!

You were saying earlier that we should be skeptical of any actor who wants to play the hero, and yet here you are playing Batman.
Batman’s not a hero, though. He’s a complicated character. I don’t think I could ever play a real hero — there’s always got to be something a little bit wrong. I think it’s because one of my eyes is smaller than the other one.

What is it about Batman that excites you?
I love the director, Matt Reeves, and it’s a dope character. His morality is a little bit off. He’s not the golden boy, unlike almost every other comic-book character. There is a simplicity to his worldview, but where it sits is strange, which allows you to have more scope with the character.

You just paused.
I just fear that when I say anything about “Batman,” people online are like, “What does this mean?” And I don’t know! I used to be very good at censoring myself, but I’ve said so many ridiculous things over the years, so I’m always curious when I’m promoting these movies how many times I can mess up. It feels like with every movie that comes out, there’s always one quote from me where it’s like, “How? What kind of out-of-body experience produced that screaming nonsense?”

You’ve said that after you were cast as Batman, you anticipated a vitriolic reaction online.
Maybe I’m just used to abuse by now. At least I didn’t get death threats this time — that’s a plus! It’s funny that people are so very angry about “Twilight.” I never particularly understood it.


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